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Jun 16 2009

100 – The Big 100th Episode Show

Recorded 12 May 2009

With A Voice Like This hits 100 episodes! And so I do a brief retrospective of the first 100 shows and open up the show to Comments from the Podcast Gallery. so you’ll hear from Mike and Kim, Andrea and even Matt. Some of what we talked about:

  • How With a Voice Like This started
  • The people I’ve  interviewed and some of the topics
    • Kim Fenolio – Graphic Artist for my Christmas EP With A Voice Like This Christmas
    • Gillian Kelly of Voice Quest Inc.
    • Samantha Murphy – Singer-Songwriter
    • Ariel Hyatt of CyberPR
    • Paul Natkin – Interim Executive Director of the Chicago Music Commission
    • Derek Sivers – Founder of CD Baby
    • Dave Kusek – Co-Author of  The Future of Music
    • Alice Peacock – Singer-Songwriter
    • Bruce Iglauer – President of Alligator Records
  • Appearances I’ve made
    • The Indigo Room: Creating Our Reality with Sydney Chase
    • Geek is Chic Podcastathon for the Susan G. Komen foundation with Andrea
    • Forum on Blogging and Podcasting with the Chicago Music Commission
  • Then there’s a lot of open conversation with Mike, Kim, Andrea and Matt in Comments From the Podcast Gallery.

I just wanted to say a special thank you to everyone who listens and/or attends my live show. I’m glad to put out this show and information as I can. Thank you all.

[00:38:13]
[audioplayer file=”http://recordings.talkshoe.com/TC-52008/TS-220996.mp3″]

Listen above or download by right clicking and saving.

Written by With A Voice Like This · Categorized: Show · Tagged: 100th episode, Ariel Hyatt, Chicago Music Commission, dave kusek, derek sivers, geek is chic, Gillian Kelly, indigo room, Kim Fenolio, Paul Natkin, Samantha Murphy

Apr 14 2008

048 – Is This the Rights Thing to Do? Part 2

This episode of With A Voice Like This is the conclusion of the discussion with Independent Singer/Songwriter Samantha Murphy of SMtvMusic.com stemming from the April 10 release of ASCAP‘s Songwriter’s Bill of Rights.

topics in this episode include:

  • Government’s role in resolution of these issues
  • Sound Exchange, its background and methodology
  • What Samantha is doing to put action behind her viewpoints
  • The role of Education in music and the Digital Age – meisa.org
  • Questions and Comments from the Podcast Gallery
  • Creative Commons

Links discussed in this episode:

Samantha Murphy at SMtvMusic.com

Samantha’s e-mail is [email protected]

Performance Rights Organizations: ASCAP, BMI, SESAC, Sound Exchange

Samantha Murphy’s article written for a Princeton Symposium

Samantha also works with [NOTE: Site no longer exists]

SaveNetRadio.org  [NOTE: Site no longer exists]

Fading Ways Online [NOTE: Site no longer exists]

MEISA.org – Music & Entertainment Industry Student Association

Lawrence Lessig article – Commons Misunderstandings: ASCAP on Creative Commons

[audioplayer file=”http://recordings.talkshoe.com/TC-52008/TS-107901.mp3?dl=1]

Listen above or download by right clicking and saving.

Written by With A Voice Like This · Categorized: Internet, Interview, Marketing, Method, Monetizing, News, Philosophy, Regulation, Show · Tagged: ASCAP, BMI, copyrights, creative commons, Internet, meisa.org, music, performance rights, Regulation, Samantha Murphy, SESAC, songwriter's bill of rights, Sound Exchange

Apr 10 2008

047 – Is This the Rights Thing to Do? Part 1

Thursday, April 10, just in time for their big ‘I Create Music’ ASCAP Expo in LA, ASCAP (American Society of Composers, Authors and Publishers) released their Songwriter’s Bill of Rights. In this episode and the next, recorded live on April 10, I discuss this with Samantha Murphy, an independent singer/songwriter and outspoken proponent of change for how music is delivered, monetized and protected in the digital age.

Topics covered in this episode include:

  • Samantha’s unique experience as a professional performing musician since the age of six
  • The Songwriter Bill of Rights read
  • Transparency of PROs and their methods
  • How this affects Net Neutrality
  • The effect of the Internet on music delivery
  • One PRO’s line in the sand
  • Who do we turn to, the Government?

The conclusion of this discussion with Samantha Murphy can be heard in episode 048.

[Additional Note: At the beginning of this episode, I made the statement that ASCAP’s Bill of Rights was to benefit performers. As Samantha pointed out, while you can have a performer account with ASCAP, it is a completely separate entity of its own and this Bill of Rights deals only with Songwriters.

Edit: A further clarification from Samantha is that the two types of accounts are Writer and Publisher, not Performer .]

Links from this episode:

Samantha Murphy at SMtvMusic.com [EDIT: Removed link as site no longer exists]

Performance Rights Organizations:ASCAP, BMI, SESAC, Sound Exchange

ASCAP Songwriter’s Bill of Rights [Edit: Link redirects to  the ASCAP Advocacy/Legislation page]

Portfolio.com article about the ASCAP Bill of Rights by Sam Gustin

Portfolio.com article Paying the Piper by Sam Gustin

Samantha Murphy’s article written for a Princeton Symposium

Samantha also works with DigitalFreedom.org/

[audioplayer file=”http://recordings.talkshoe.com/TC-52008/TS-103330.mp3″]

Listen above or download by right clicking and saving.

Written by With A Voice Like This · Categorized: Internet, Interview, Marketing, Method, Monetizing, News, Philosophy, Regulation, Show · Tagged: ASCAP, BMI, Internet, music, performance rights, Regulation, Samantha Murphy, SESAC, songwriter's bill of rights, Sound Exchange

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