With A Voice Like This

Whether it's Music or Media - this is the Voice you're looking for.

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074 – CD Baby is your digital friend

Recorded 23 October 2008

Well, it’s that time to be thinking about getting the Christmas CD out there for public consumption and I needed a new home for it. imagine my surprise when looking at CD Baby again and finding that they’re really into digital distribution. Maybe I didn’t look closely enough or maybe they’re doing more than they used to, but it’s there and the full range of offerings is the topic of this episode.

Topics included:

  • Why I went with CD Baby instead of a pre-order through my own site
  • What CD Baby offers with Digital Distribution and its payout
  • The comparison of selling the physical CD
  • The list of the digital partners with CD Baby
  • Turnaround for the digital partners
  • Bar codes and ISRC codes for digital distribution
  • Great customer service turnaround

Comments From The Podcast Gallery
instead of comments, this is an assignment for you, the Podcast Gallery. Since the digital partners don’t notify CD Baby when they have released my music, I’m asking the Podcast Gallery to let me know if they see my music on a download site. Write me here or call me on the Podcast Gallery voicemail line at 630.492.0487.

And while you’re checking out iTunes for my music, go ahead and subscribe to the show and leave a review.

Links
CD Baby.com – the website to sell your indie music CD the buyer’s side
CD Baby.net – Musician member site

[audioplayer file=”http://recordings.talkshoe.com/TC-52008/TS-155009.mp3″]

Listen above or download by right clicking and saving.

058 – My View – Music And The Internet Part 2: The Implementation

This episode of With A Voice Like This is the conclusion of how I’d like to see things work in regard to music and the Internet and distribution of both responsibilities and money.

  • Some quick clarifications from statements made last show.
  • A brief recap of Episode 057‘s (Part 1) major points

Music and the Internet is a Virtual Venue

  • Performers perform (Streaming)
  • Consumers pay (e.g. cover charge, all inclusive charge)
  • Consumers can also buy recordings and other merchandise above entrance fees
  • Venues (ISPs,  applications) are responsible for reporting and payment

Database

  • With new code, all streams, downloads, etc. are tracked and put in a database (Who holds the DB TBD)
  • No more sampling needed, just a direct pull of tracks from the database

Collecting

  • Performance Rights Organizations (PRO) could still collect, but pay based on actual numbers, not samplings
  • No PRO could collect for non-members and keep money if the performers either don’t join, can’t be found or don’t claim their money
  • Artists, Authors, Lyricists and Publishers responsibility is to secure a code so they are credited and paid for their works or not paid by their choice.
  • Any music without the code is flagged in database and action taken (example of software recognition at EveryZing.com [EDIT: 12-28-12 – EveryZing.com is no longer a valid website])

Comments From The Podcast Gallery

The Down side

This discussion is an overly simplistic layout of a very complex idea. Currently the Orphan Works Act almost passed in Congress and it seems very similar to what I’ve outlined here. You can hear it discussed at great length on Webcomics Weekly #38 from a visual artist’s point of view and its major weaknesses. I feel I’ve taken some of the things into account that were ignored in the Orphan Works Act and although not exactly the same, the pitfalls could be very similar.

On A Lighter Note

Here are examples of some voiceover work I had just recently done.

[audioplayer file=”http://recordings.talkshoe.com/TC-52008/TS-122531.mp3″]

Listen above or download by right clicking and saving.